Wayne Keeth

Wayne Keeth

 

 

My love for flowers was encouraged from birth by my paternal grandmother Viola Goodwin Keeth.  Her yard was always full of flowering succulents and exotic cacti with exquisite blooms.  Every time we visited her from as early as I can remember she would send me home with cuttings from her plants. 

My love for jewelry making and beautiful stones was instilled at an early age and developed with the help of my maternal uncle Lavern Walters who had a rock shop and lapidary equipment that he taught me to use.  When I attended Granada High School in the late sixties I was on an independent study program which allowed me to spend most of my junior and senior year in the art room.   My teacher, Mrs. Bonnie Toy, allowed me to try many different mediums but jewelry making especially the lost wax process was and still is my biggest love.   Mrs. Toy introduced me to the process of casting organic material – a process that has captivated my imagination ever since.  She also introduced me to ceramics both hand building and throwing on the wheel. 

In the early seventies, I started using small pieces of cactus skeletons in my castings. Yet, it wasn’t until the early nineties when, at Northern Arizona University, that I started casting orchids and insects.  I was immediately hooked and have been perfecting the process ever since.  I grow most of the orchids and other exotic flowers in my greenhouse which satisfies my love for growing beautiful plants and flowers as well as allowing me to select the blooms at the peak of their beauty for casting.  It is so exciting to see the blooms in silver or gold and incorporate them into pieces of jewelry or sculptures to share the beauty of Gods creation with others. 

I frequently cast insects and use them in chess sets which are highly collectible. It is amazing to me the intricate detail that can be easily seen when they are cast in silver.

I have received many first place and best of show awards for my art work since I entered my first show in San Francisco in 1967.   My work is now in collections across the country and around the world.

 

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